Dolly

BPM 137, Time Signature: 4/4 Key Signature: F Major (1 flat: text{B}\flat) Key Shifts (Modulations):Intro / Verse: Written in F Major starting on \text{B}\flat\text{maj7}. The song famously avoids resolving firmly to its F major tonic, creating an unresolved, floating tonal center. Chorus / Hook: Shifts modally toward D Major / D Aeolian (moving through \text{G} \rightarrow \text{D} and \text{C}\text{add9} \rightarrow \text{G/B} \rightarrow \text{Gm/B}\flat \rightarrow \text{D/A}). It then uses a \text{B}\flat\text{maj7} \rightarrow \text{C} modal shuttle (\text{bVI} \rightarrow \text{bVII} relative to D, or \text{IV} \rightarrow \text{V} relative to F) to pivot back into the verse without a traditional cadential resolution. Octaves & Octave Shifts:Vocal Range: \text{B}\flat 2 to \text{F}4 (spanning 1 octave plus a Perfect 5th).Octave Shifts: A dramatic upward melodic leap occurs on the chorus peak lyric "and I WANT you for all time", jumping up an octave to \text{F} 4 at the peak emotional accent. Instrumental Octave Range: The instrumental solo shifts down into the baritone/bass register. Compose with a Yamaha Genos2 HD Music Composer.
BPM 136, Time Signature: 4/4 Key Signature: F Major (1 flat: text{B}\flat) Key Shifts (Modulations):Intro / Verse: Written in F Major starting on \text{B}\flat\text{maj7}. The song famously avoids resolving firmly to its F major tonic, creating an unresolved, floating tonal center. Chorus / Hook: Shifts modally toward D Major / D Aeolian (moving through \text{G} \rightarrow \text{D} and \text{C}\text{add9} \rightarrow \text{G/B} \rightarrow \text{Gm/B}\flat \rightarrow \text{D/A}). It then uses a \text{B}\flat\text{maj7} \rightarrow \text{C} modal shuttle (\text{bVI} \rightarrow \text{bVII} relative to D, or \text{IV} \rightarrow \text{V} relative to F) to pivot back into the verse without a traditional cadential resolution. Octaves & Octave Shifts:Vocal Range: \text{B}\flat 2 to \text{F}4 (spanning 1 octave plus a Perfect 5th).Octave Shifts: A dramatic upward melodic leap occurs on the chorus peak lyric "and I WANT you for all time", jumping up an octave to \text{F} 4 at the peak emotional accent. Instrumental Octave Range: The instrumental solo shifts down into the baritone/bass register. Compose with a Yamaha Genos2 HD Music Composer.
(Verse 1)
Saw your beautiful white dove [pause] fly'on over this morn'ens dawn
The moment right before your news came crash'en own
Then the world stop turning, felt like a heavey rain
Thinking 'bout that message [pause] in your voice, [pause] that always healed are pain
Now I'm own a keep it look'en up, like yuh told me, yeah, through the highs and lows
From a place you gave us shelter, through your gift [pause] on the radio
Wore a coat a many colors with a heart a Dolly a gold
Taught all us how tuh live [pause] OUR greatest story ever told

(Chorus)
Dolly, I know you left us play'en on at beautiful rhinestone guitar
On that country highway heading out (pause) to take your luv'en gentle soul
Now when we see that bright light in the dark
We'll know your shine'en a little piece a heaven in every someone's heart
Yeah, gonna miss your songs so deeply, yeah an some are gonna cry
as your ryze over those Blue Smokey mountains [pause] on that Tennessee morning sky

(Verse 2)
You gave the kids their books, tuh give their chance a future, so much more bright
With a sharp quick wit that made the heavy days feel light
An when that storm came a roll'en in, you bored down and held the wheel
Taught us how to Love an let go (pause) through a song that made us
feel how the heart of a country song really feels
An now your light has opened up those distant pearly gates
an your girls a that grand old circle, of the legends waits
You'll meet up Miss Patsy, Tammy, an Miss Loretta too
Yes, Kitty Wells an Mother May Bell, June and the Carter sisters, all a wait'en there for you
[pause][this lyric here belting Baratone male voice] You YEAHOWWWW OO OOOOOOOOO
NO OOOOOOOOOOOOO OOOO!
(Insipirational Country music Solo)

(Verse 3)
Kenell be there a humm'en sweet n low
Welcome'en our country queen, (pause) to the grandest show
best of all, your pain and waiting finally ends
An now you're back together with your lifetime luv'en friend
Now go [pause] Runn'on to the arms a your sweetheart Carl Dean
The purest love the world has ever seen

(Chorus)
He'll be wait'en with your new guitar [pause] well your band a Fiddles roll
Own that highway headed out[pause] tuh-meet yir sweet luv'en gentle soul
You showed us how to find the bright side in the dark
Tuh always bring [pause] a little piece of heaven to every someone's heart
Yeah!!! Gonna miss your songs so deeply, yeah and some are gonna cry
As you ryze above that blue Ridge mountain Tennesee sky
Roll'en over that Blue Smokey Mountain high!!!! Yeah!!!

OOOOOO OOOOOOOO
[Belt to the last note holding last note!]
Yeah!! At Dolly Tennesee morn'en sky!!
Yeahh!!!! OOOO OOOOOOOOOHH!
[36 second country music Fading to inspiration]

Create as a mix of 80's, 90's, 2000's, 2010's Number one country hit sound. BPM 137, Intro / Verse: Written in F Major starting on \text{B}\flat\text{maj7}. The song famously avoids resolving firmly to its F major tonic, creating an unresolved, floating tonal center. Chorus / Hook: Shifts modally toward D Major / D Aeolian (moving through \text{G} \rightarrow \text{D} and \text{C}\text{add9} \rightarrow \text{G/B} \rightarrow \text{Gm/B}\flat \rightarrow \text{D/A}). It then uses a \text{B}\flat\text{maj7} \rightarrow \text{C} modal shuttle (\text{bVI} \rightarrow \text{bVII} relative to D, or \text{IV} \rightarrow \text{V} relative to F) to pivot back into the verse without a traditional cadential resolution. Octaves & Octave Shifts:Vocal Range: \text{B}\flat 2 to \text{F}4 (spanning 1 octave plus a Perfect 5th).Octave Shifts: A dramatic upward melodic leap occurs on the chorus peak lyric "and I WANT you for all time", jumping up an octave to \text{F} 4 at the peak