Nasda

[Verse 1]
God is already here
He waiting on you
Just listen to the wind
Listen to a friend

Reach out and touch Him
He is within
He’s waiting for you
Waiting for you to begin

[Pre-Chorus]
You must listen to the wind
Get started, no waiting
Now is the time
When He’s fresh in your mind

Don’t say you don’t have time
You’ll only fall behind
Keep your heart open wide
Let His voice pull you inside

[Chorus]
Listen to the wind
Listen to the wind
He’s waiting for you

Listen to the wind
Listen to the wind
Now you can begin

(Waiting for you)
(Waiting for you)
He’s calling your name

(Waiting for you)
(Waiting for you)
Don’t turn Him away

[Verse 2]
When the room gets still
You’ll know He’s near
No need to chase Him down
He’s already here

Put your hand on your chest
Feel that steady beat
That’s grace at work
Right under your feet

[Pre-Chorus]
You must listen to the wind
Get started, no waiting
Now is the time
When He’s fresh in your mind

Don’t say you don’t have time
You’ll only fall behind
Keep your heart open wide
Let His voice pull you inside

[Chorus]
Listen to the wind
Listen to the wind
He’s waiting for you

Listen to the wind
Listen to the wind
Now you can begin

(Waiting for you)
(Waiting for you)
He’s calling your name

(Waiting for you)
(Waiting for you)
Don’t turn Him away

[Bridge]
If your hands are empty
He can still move in
If your faith is shaking
He will lift you in

Take one small step
That’s all He asks
The door is open
Come alive at last

[Final Chorus]
Listen to the wind
Listen to the wind
He’s waiting for you

Listen to the wind
Listen to the wind
Now you can begin

(Waiting for you)
(Waiting for you)
He’s calling your name

(Waiting for you)
(Waiting for you)
Don’t turn Him away

g-funk, west coast bounce, 92 BPM, synth bass glides, talkbox chords, whistling lead synth, muted wah guitar, stacked clavinet stabs, live drum fills, LinnDrum snare, warm ​Operatic pop cosmétique summ balad techno énergétique symphonic saturated and distorted bass drum maintains a steady rhythm at 135 BPM in F minor. ​A high-pitched, resonant synthesizer plays a dissonant, repetitive two-noteWest Coast hip-hop, G-funk bounce, 94 BPM, talk-sung baritone, breathy lead vocal, male female harmonies, call response hooks, slap bass groove, funk synth stabs, clean guitar licks, Rhodes comping, soft snare crack, LinnDrum pocket, vintage mic emulation, vinyl texture, tape saturation, plate reverb, half-time swing, late night warmth, golden age funk male vocals female chorus soft smooth vocals pattern with heavy delay and bitcrushing. Bursts of layered white noise and metallic percussion crash on the offbeats. A saw-tooth synth bass follows the kick drum rhythm with a short