خوشم بی تو
Song generated By ✨Song.do
v5 Lite
@ Roohollah Kazemi
2026-09-23 19:58:27
가사
**STRUCTURE**
Create a 4-minute Persian classical vocal song based strictly on the supplied lyric.
Language and pronunciation: Formal Iranian Persian with natural Tehran pronunciation. Preserve the supplied lyric EXACTLY as written. Do not correct, normalize, replace, add, remove, or reinterpret any word, spelling, diacritic, punctuation, or phonetic form.
Musical character: Persian classical art song, intimate romantic sorrow, elegant and emotionally restrained at first, gradually becoming deeply passionate. The melody must follow the natural prosody and poetic meter of Saadi. Prioritize clear diction and intelligible lyrics.
Vocal style: A highly expressive Persian singer with a warm, refined and emotionally captivating voice. Use authentic Iranian vocal ornamentation, especially enchanting tahrir, delicate melisma, controlled vibrato, tasteful portamento, and graceful ornamental turns. Tahrir must follow the meaning and meter rather than obscure the words.
Build dramatic magical rises and falls throughout the performance. Begin softly and intimately, gradually increase emotional intensity, reach a powerful and beautiful vocal climax, then resolve naturally and tenderly.
Instrumentation: Persian classical ensemble with santur, setar or tar, kamancheh, ney, tombak and subtle daf/percussion. Keep the arrangement elegant and spacious. The instruments must support the singer rather than compete with the vocal line.
Form:
0:00–0:20 — Short atmospheric Persian instrumental introduction, delicate and melancholic.
0:20–1:45 — First complete vocal presentation. Begin intimate and restrained. Develop gradually through the verses. Use subtle tahrir at cadences and increasingly expressive melodic rises.
1:45–2:00 — Short instrumental interlude echoing the principal vocal motif.
2:00–3:35 — Second complete presentation of the lyric. Make this pass more emotionally intense than the first. Broader melodic range, stronger tahrir, deeper dynamic contrast and a major emotional climax around the most painful lines.
3:35–4:00 — Final repetition of the closing phrase with a beautiful descending resolution, followed by a brief instrumental tail.
The singer must never rush the poetry. Preserve natural Persian pronunciation, poetic rhythm, breathing spaces and emotional pauses. Avoid excessive repetition beyond the supplied lyric. Do not introduce any new lyrics.
The overall result should feel like a sophisticated Iranian classical love lament: hypnotic, elegant, sorrowful, passionate and vocally mesmerizing.
**LYRIC — PERFORM EXACTLY AS PROVIDED**
بيیا کِ دَرْ غَمِ عِشْقَتْ مُشَوْوَشَمْ بیتُ
بيیا بِبینْ کِ دَرينْ غَمْ، چِ ناخُشَمْ بیتُ
شَبَزْ فِراقِ تُُ مینالَمِی پِری رُخْسارْ!
چُ رُوزْ گَرْدَدْ، گُویی دَرآتَشَمْ بیتُ
پِیامْ دادَمُ گُفْتَمْ: «بيیا خُشَمْ میدارْ»
جَوابْ دادیُ گُفْتی کِ «مَن خُشَمْ بیتُ»
دَمی تُ شَرْبَتِ وَصْلَمْ نَدادِ اي، جانا!
هَمیشِ زَهْرِ فِراقَتْ هَمی چِشَمْ بیتُ
اَگَرْ تُ با مَنِ مِسْکینْ چُنینْ کُنی، جانا!
دُ پایَمَزْ دُ جَهانْ نیزْ، دَرْکِشَمْ بیتُ
پِیامْ دادَمُ گُفْتَمْ: «بيیا خُشَمْ میدارْ»
جَوابْ دادیُ گُفْتی کِ «مَن خُشَمْ بیتُ»
[REPEAT THE COMPLETE LYRIC ONCE MORE, EXACTLY AS WRITTEN ABOVE]
Create a 4-minute Persian classical vocal song based strictly on the supplied lyric.
Language and pronunciation: Formal Iranian Persian with natural Tehran pronunciation. Preserve the supplied lyric EXACTLY as written. Do not correct, normalize, replace, add, remove, or reinterpret any word, spelling, diacritic, punctuation, or phonetic form.
Musical character: Persian classical art song, intimate romantic sorrow, elegant and emotionally restrained at first, gradually becoming deeply passionate. The melody must follow the natural prosody and poetic meter of Saadi. Prioritize clear diction and intelligible lyrics.
Vocal style: A highly expressive Persian singer with a warm, refined and emotionally captivating voice. Use authentic Iranian vocal ornamentation, especially enchanting tahrir, delicate melisma, controlled vibrato, tasteful portamento, and graceful ornamental turns. Tahrir must follow the meaning and meter rather than obscure the words.
Build dramatic magical rises and falls throughout the performance. Begin softly and intimately, gradually increase emotional intensity, reach a powerful and beautiful vocal climax, then resolve naturally and tenderly.
Instrumentation: Persian classical ensemble with santur, setar or tar, kamancheh, ney, tombak and subtle daf/percussion. Keep the arrangement elegant and spacious. The instruments must support the singer rather than compete with the vocal line.
Form:
0:00–0:20 — Short atmospheric Persian instrumental introduction, delicate and melancholic.
0:20–1:45 — First complete vocal presentation. Begin intimate and restrained. Develop gradually through the verses. Use subtle tahrir at cadences and increasingly expressive melodic rises.
1:45–2:00 — Short instrumental interlude echoing the principal vocal motif.
2:00–3:35 — Second complete presentation of the lyric. Make this pass more emotionally intense than the first. Broader melodic range, stronger tahrir, deeper dynamic contrast and a major emotional climax around the most painful lines.
3:35–4:00 — Final repetition of the closing phrase with a beautiful descending resolution, followed by a brief instrumental tail.
The singer must never rush the poetry. Preserve natural Persian pronunciation, poetic rhythm, breathing spaces and emotional pauses. Avoid excessive repetition beyond the supplied lyric. Do not introduce any new lyrics.
The overall result should feel like a sophisticated Iranian classical love lament: hypnotic, elegant, sorrowful, passionate and vocally mesmerizing.
**LYRIC — PERFORM EXACTLY AS PROVIDED**
بيیا کِ دَرْ غَمِ عِشْقَتْ مُشَوْوَشَمْ بیتُ
بيیا بِبینْ کِ دَرينْ غَمْ، چِ ناخُشَمْ بیتُ
شَبَزْ فِراقِ تُُ مینالَمِی پِری رُخْسارْ!
چُ رُوزْ گَرْدَدْ، گُویی دَرآتَشَمْ بیتُ
پِیامْ دادَمُ گُفْتَمْ: «بيیا خُشَمْ میدارْ»
جَوابْ دادیُ گُفْتی کِ «مَن خُشَمْ بیتُ»
دَمی تُ شَرْبَتِ وَصْلَمْ نَدادِ اي، جانا!
هَمیشِ زَهْرِ فِراقَتْ هَمی چِشَمْ بیتُ
اَگَرْ تُ با مَنِ مِسْکینْ چُنینْ کُنی، جانا!
دُ پایَمَزْ دُ جَهانْ نیزْ، دَرْکِشَمْ بیتُ
پِیامْ دادَمُ گُفْتَمْ: «بيیا خُشَمْ میدارْ»
جَوابْ دادیُ گُفْتی کِ «مَن خُشَمْ بیتُ»
[REPEAT THE COMPLETE LYRIC ONCE MORE, EXACTLY AS WRITTEN ABOVE]
음악 스타일
Persian classical art song, formal Iranian Persian with natural Tehran pronunciation, expressive male or female Persian vocalist, warm captivating voice, crystal-clear diction, authentic Iranian tahrir, enchanting melisma, delicate ornaments, controlled vibrato, graceful portamento, dramatic magical rises and falls, intimate sorrow gradually becoming passionate, sophisticated Persian classical ensemble with tar, santur, kamancheh, ney and tombak, spacious elegant arrangement, emotional vocal climax, poetic meter preserved, no lyric changes, no extra lyrics, approximately 4 minutes.